#Seismic audio splitter snake full#
#Seismic audio splitter snake professional#

We play a song and a half to make slight adjustments in levels for our IEMs and we are good to go. Whether it's our regular sound company or house-provided, sound check is usually just working with FOH on general levels and EQ-ing drums and vocals. We are all on IEMs (all wireless but me) and the guitar and bass are ampless, so our stage is super comfortable volume-wise. We need all 16 channels, so we can't afford to lose one! (Well, we could, but then I'd have to run mono.) All good so far. Glad to be of help! We have it in a rolling rack case along with the XR-18 and the wireless IEM transmitters and we treat it with care. I've read some accounts of loose-fitting XLR connections - have you experienced that? Most importantly, have you lost any channels over the 80-90 gigs? How do you find the build quality? I guess if it's in a rack rather than on the floor it's out of harms way. We've looked at Seismic and were wondering about durability at that price point. The cost differential between direct wired and transformer-isolated splitters is substantial and I’m trying to determine if it’s worth the expense. This is for three reasons: consistency, lower stage volume, and to cut down sound-check time (it’s 7-8 piece band). In my case, the band wants to control their own in-ear monitor mixes and simply provide the venue with a tail for the FOH mix. I have found a few cases of ground loop hum, but it seems to be rare and easily fixed with in-line lifts or running both mixers off the same circuit.

#Seismic audio splitter snake full#

It seems the internet is full of “potential/theoretical” issues using phantom power with a direct wired split, but I can’t find any actual examples of mixers, mics, or equipment being damaged by doing so. I’m not looking for theory, but real-world experiences in venues or tours that use separate monitor/FOH positions. Has anyone had any issues using a NON-TRANSORMER-ISOLATED splitter snake to send signals from the stage to both a monitor mixer and FOH mixer? The Stage Box is rack mountable for convenience and ease of transport.A question for the “stage” portion of the forum (live sound engineers): Each stage box is well labeled and constructed from heavy duty steel. You can plug an XLR or a 1/4' in to the box end of the snake. The cable ends on the fantails are all male XLR, while the stage box consists of all female XLR and 1/4' combo jacks.

These splitter cables are straight send snakes and do not have any returns. These splitter snake cables do not have splitter transformers, ground-lift switches, or multi-pin disconnects.

They each have a stage box and two hardwired short trunks with fantails. These snakes are your basic hardwired Y splitters.

#Seismic audio splitter snake professional#

XLR connectors make this snake cable fit right in with professional power amps and mixing consoles without the need for converters or couplers. With this snake cable, each pair of heavy duty conductors is individually shielded, yielding crystal clear sound while rejecting extraneous noise. Simple hardwired Y splits | Stage box with two hardwired short trunks with fantails.High quality XLR / TRS 1/4' Combo Jacks at the box end.Rack Mountable Heavy duty steel stage box.Fantail and stage box are both clearly labeled for quick and easy set up.Length: One 3' Cable Trunk & One 10' Cable Trunk.High quality XLR connectors at fantail ends.XLR / TRS 1/4' Combo Jacks on the box end.3 Space Rack Mountable 24 Channel Splitter Snake Cable.Rack Mount 24 Channel XLR TRS Combo Splitter Snake Cable - 3' and 10' XLR trunks